Photo © cinema5D 2019. The larger EU-V2 Extension Unit  has a V-mount plate for bigger batteries. And it’s also already 4 years ago since the C300 Mark II was introduced. Please refresh the page and try again. For the asking price, some could see the Canon C500 Mark II it as a bit of a bargain as it uses the same 5.9K full-frame sensor as the Cinema EOS C700FF flagship camera which costs around twice as much. North Sydney If you’re using cine lenses or heavier zoom lenses then definitely yes. Thank you! And you can also combine face detection with the focus guide to help you focus on the main subject manually. And if you are used to the ergonomics of Canon’s Cinema EOS range, you’ll have no problems quickly getting to grips with the camera. The interface used to connect the EVF to the camera is the same they are using for other optional extension units. The Canon EOS C500 Mark II 5.9K Full-Frame Camera Body is part of the Cinema EOS lineup of cameras, and it features a full-frame CMOS sensor with an effective 18.69MP resolution. In post-production, Canon Log is designed to reproduce the entire tonal range that the CMOS image sensor is capable of. The Canon EOS C500 Mark II mixes the best of high-end cinema cameras and mirrorless tech, in a modular body that can be stripped down for drones or gimbals or dressed up for movies with external monitors and the like, or fitted with accessory backs to allow full TV broadcast. The EVF itself is a 0.46” OLED with 1.77Megapixels. It’s like comparing a Red to an iPhone. Amazing camera, wish it had ProRes instead of MXF. It can be stripped down to use on a gimbal, or rigged up to shoot movies good enough for Hollywood. You can fasten an EF Cinema Lock mount which is ideal for Canon cine primes with a follow-focus rig attached, or a PL mount which supports the Cooke/i system to communicate lens data to the camera. So with the competition heating up and new cameras being released left and right, it was definitely time for an update of Canon’s cinema line. Bolt on the grip, top handle and bracket for the screen and you have a perfectly serviceable camcorder, ideal for run-and-gun documentary, wedding or event work. The bare-bones body of the Canon C500 Mark II – Photo © cinema5D 2019. The Canon EOS C500 4K Cinema Camera (EF Lens Mount) represents Canon's first foray into the world of 4K digital cinema production. Creative filmmakers have long been yearning for the incredibly shallow depth of field and low-light performance you can only get with a full frame sensor, stunning autofocus that actually works, in-body image stabilization and manageable Raw files that you can record internally as well as 10-bit 4:2:2 broadcast-ready codecs. The C500 Mark II utilizes the same 4″ LCD Monitor touchscreen (LM-V2) that is compatible with the Canon C500 Mark II. That’s because the data from the 5.9K sensor is over sampled into 4K, which suppresses moire and reduces noise, resulting in very high image quality. There is a slight crop of the image, though. VENICE is 3:2 not 4:3. If the Canon Raw Light debayer gamma/curve on the c500ii is anything like the c200 raw light where you can just apply arri’s log c lut and its pretty much perfect, that to me speaks volumes on the quality of raw/dr/etc of this camera. Customers who viewed this item also viewed. So this camera finally does what everybody hoped the C200 and the C300 Mark II would eventually do, but even at a higher resolution with a larger sensor, quite impressive from the specs. its mostly happens if you shoot against sun or bright windows.Hopefully canon has fixed this problem, with the c500mkII sensor.Our c300mkII still have the problems and canon can not fix it. Using the LCD touchscreen, you can touch the screen and set a focus point, and the camera will track the subject. But after seeing the latest developments about Canon removing 24p from some of their cameras, this leaves a bitter taste to my mouth. Cinema RAW Light recording formats and frame rates. That IS HDR! Curious what the word on ISO performance / native and also what the Anamorphic modes actually shake out to be.Also more curious to see what a real DR test reveals! But the Dual Pixel CMOS, which uses on-sensor AF sites that cover 80% of the frame, is great at locking onto a subject and keeping it pin sharp. It also does anamorphic internally. We will try to get one for a full review as soon as possible! Canon takes a different approach in their cinema line and uses a 17:9 full-frame sensor to achieve their almost 6K resolution, which means that you effectively will have more resolution when shooting with normal spherical lenses than on the other cameras. For the best quality, Cinema Raw Light offers huge advantages over conventional codecs, as it maximises the data from the sensor from which you can drag out more highlight and shadow detail, then add sharpness, manage noise, change white balance and tweak the colours hugely in the grade. Today, Kenny talks through his impressions of the C500 Mark II and shows some footage he shot over the past few months. The footage coming out of the URSA and new pocket 6k is similar to the ARRI look if not better. And another big advantage over rivals is Canon’s 5-axis Image Stabilization which also works with anamorphic lenses. Positioned above the C300 but below the C700, the C500 Mark II combines some of the best features of its predecessors with new technology. I am super confused about your segment on sensor resolution. Having them ready right out of the camera is fast quicker. In addition, the Canon C500 comes in black. The best mirrorless camera in 2020 for beginners, vloggers, enthusiasts and pros. He works on documentaries, commercials, corporate films and at times a narrative piece. The bare-bones body of the C500 Mark II itself only weighs 1750 grams or less than 3.9 pounds, and that’s remarkably small for a camera that already has many essential things included. With such high quality files, getting the shots sharp are crucial which is where Canon’s Dual Pixel CMOS AF comes in. B4 mou… Two different tools completely. So you can edit these low-res proxy files rather than having full-size footage slowing down your edit, then replace them with the high-res Raw or XF-AVC footage for final output. These recorders still exist: the AJA Ki-Pro QUAD, Codex-S onboard recorder or … The lightweight body comes equipped with Canon's 5.9K full-frame CMOS sensor capable of over 15 stops of dynamic range. Please note that the 5-axis sensor stabilisation system is electronic. The standard EF mount can be swapped for an optional PL Mount or for an EF Cine Lock, by simply unscrewing 4 screws with an allen key. Joke aside, it seems to me that the DigicDV is able to handle multiple high resolutions and fps without a problem, while the Digic can’t go beyond 2.8k/30p (according to some — and needs multiple of these chips in parallel to do 4k, while the competition has outrun them). For the important bits like ND filters, large battery packs or an external recording monitor to get the highest quality, you don’t need to bolt them on. And even TV broadcast, all in a camera that is relatively affordable rather than having to rent different cameras for different jobs all the time. This manual comes under the category Camcorders and has been rated by 1 people with an average of a 5.7. Obviously all these files are very data-intensive and will slow down all but the very latest and most expensive computers. Canon now made the EVF user-removable, which is great: that means that the camera can more easily fit onto gimbals and drones. The standard BP-A60 lasts for around 90m minutes but larger batteries are available. No mention of HDR? Granted, the C200 was a big step in the right direction, yet the missing 10-bit 4:2:2 recording made it impossible for many to make the jump. For faster workflow without Raw conversion, the camera uses the 4K 4:2:2 10bit XF-AVC recording codec which is broadcast and edit-ready. Nino. I added a mention of the electronic stabilizer, missed this in the first write-up. The camera has a fixed senor but when a lens that supports data transmission is attached, focal length data is received and the IS system matched to the lens, which is then cleverly countered automatically for in post processing. The Canon C500 Mark II can shoot 4K in Super35mm, at up to 60p. He is co-owner of CineD and a studied Master of Arts. Get giftable tech Shop now. Rumour is the new Canon C500 Mark II may be borrowing the full-frame sensor from the Canon C700 FF, which in its own right has not been the success Canon were … The lightweight body comes equipped with Canon's 5.9K full-frame CMOS sensor capable of over 15 stops of dynamic range. The Canon EU-V2 Expansion Unit is my favorite option from Canon because I could use my V-Mount batteries on the Canon C500 Mark II and gain two more audio inputs with controls on the operator side of the camera. User-interchangeble lens mount on the Canon C500 Mark II – Photo © 2019 cinema5D. They clearly have the technology, why not also show some engineering love to Digic too? As you know from your tests, everyone except ARRI inflates their DR ratings, but if this gets 13-14 stops it could be a real winner.It’s price isn’t “aggressive” but it isn’t crazy either for what they are offering, unless the upcoming FX9 blows it away somehow. COVID-19. There is no IBIS in this camera. However, the IBIS doesn’t work when recording in Raw and the fastest frame rate is 120fps with a sizable crop, so it’s not ideal for shooting action sports. But it is insane to think the Blackmagic pocket is also 6k and is only $2495 just not full frame (but for film super 35 seems to be preferred). Gift Guide. Shop Now. You will receive a verification email shortly. HDMI output also allows for 4K 50/60p recording. But with a body-only price of $15,999/£16,999, it’s for professionals or the most serious filmmakers only. Canon C500 Mark II Canon’s new C500 Mark II features a 5.9K Full-Frame CMOS sensor, user-changeable lens mounts, electronic image stabilization, and internal cinema RAW light recording. They call it a 5-axis image stabilizer, so it’s technically not an IBIS because it’s fully electronic. There is a dedicated LUT button on the camera, and two buttons to access high frame rate recording. The URSA has far greater dynamic range and low light capabilities when compared to any phone. Page 1 of 1 Start over Page 1 of 1 . Ideally a body that can be used for every potential project, from high-quality Netflix drama productions to documentaries, weddings and commercials, live streaming and event coverage. c500 c500 mark 2 C500 Mark II canon cinema eos review Reviews What Do You Think? There was a problem. Holiday Gift Guide 2020. One turns on the high frame rates and the other allows you to change the fps. Great review! Photo © 2019 cinema5D. Create a additional Canon ring attachment for L’s while they’re at it, now we’re talkin’. cinema5D GmbH, Kranzgasse 22/9-10, A-1150 Vienna, Austria, GoPro Karma Drone - Controller Pairing Issues, Boris FX Mocha Pro 2021 adds PowerMesh Tracking, Three New SIGMA Prime Lenses for L-Mount revealed, X-tra Camera Battery on Kickstarter Offers Capacity Boost, MZed Course Review – The Art & Technique of Film Editing with Tom Cross, Panasonic LUMIX BGH1 First Look Review & Mini Documentary, Astera NYX Review - The Quest for the Perfect Cinema Lightbulb, TourBox 2020 Review – A Versatile Control Panel for all Your Apps. The lightweight body comes equipped with Canon's 5.9K full-frame CMOS sensor capable of over 15 stops of dynamic range. This means you can desqueeze the image internally instead of having to use an external monitor. So you can use everything from exotic anamorphic lenses, vintage glass or classic-style primes. And there are waveforms, zebras and false color warnings  to help you nail focus and exposure. The more I think about it, the more the omission of ProRes bothers me. Of course, you can record in 5.9K which gives lots of flexibility for cropping in post. © could you please check for the magenta gate problem of the c300 mk2? The best camera phone in 2020: which is the best smartphone for photography? C500 MKII Overview Impressive usability and imaging power combine in the EOS C500 Mark II, the customizable full frame cinema camera that’s built for creative freedom. However, the C500 Mark II offers a lot more bang for the buck – internal Cinema RAW Lite at up to 5.9K resolution plus the 10-bit 4:2:2, the interchangeable mount, great autofocus plus all the features you expect from a cinema camera. The EOS C500 Mark II is an advanced and compact digital cinema camera with a 5.9K full-frame sensor and a brand new image processing platform. The standard EF mount is non-locking. Canon EOS C500 Mark II Cinema Camera. Shop By Price. A little more affordable than a RED 5k. Third Party Accessories. The C500 Mark II is a full-frame camera with RAW workflow dedicated for high-end productions, that meant to bridge the gap between the C300 Mark II and the C700 series, as well as to be a complementary camera to the C700 series (go here to read about the history of Canon’s Cinema EOS). © 2020 All rights reserved. The Canon C500 Mark IIis definitely more expensive on paper. Really iPhone? That makes it the first full-frame cinema camera that can record cinema Raw that’s not totally out of the reach of independent filmmakers. What’s super exciting is that the lens mount delivered with the C500 Mark II is user-interchangeable. C500 Mark II – with the small Extension Unit 1 attached at the back. Seems like a strange thing to miss out, especially as it’s a cine camera first. 18 Movies Shot On Canon EOS-C500 Camera - Epic Rap Battles of History, Jason Bourne, The Transfiguration, Camino a La Paz, Fathers and Daughters, The Big Short, The Man from U.N.C.L.E., Avengers: Age of Ultron, Man & Beast, Canon USA According to the chart breakdown, it shows 12-bit as being an option all the way through 60fps at 5.9k, but anything over 24fps automatically changes to 10-bit on the camera for me. Connect with. At the rear is a port where you can plug in one of the accessories, such as tiltable, 1.77m dot OLED viewfinder which is solid and bright, with an adjustable dioptre wheel. Unless Canon isn’t using square pixels it doesn’t really matter what the aspect ratio is of the sensor, a sensor with a more square aspect ratio is going to have more actual resolution than one that is wider, whether or not that resolution is useful depends on what aspect ratio you want to shoot at. And the camera doesn’t suddenly snap into focus on the new subject but the focus slows down when it’s near to full sharpness to give the shot a more traditional look. Canon for the first time uses a new DIGIC DV7 processor which allows the camera to record Cinema RAW Light internally at up to 5.9K as well as XF-AVC in 4K 4:2:2 10-bit. For traditionalists who only use manual focus then the unique Focus Guide shows whether the camera thinks the image is sharp, and displays arrows to show which way to turn the focus ring. We always use double opt-in, so please confirm your subscription by clicking on the link you will receive in an email after you hit "sign up". (Not that I don’t love my Sony A7Rii…)Also for all those complaining about price – I noticed that the $16K price COMES WITH the monitor, the top handle, 1x 512GB Cfexpress Card, 1x battery and single charger, and the regular EF mount. Thanks. Thanks for this video on the C500 MK2. Were people clamoring for full frame OR 6K resolution? This allows it to feature a 5.9K output in full frame, and crop (window) the sensor for Super 35 and Super 16 frame sizes while maintaining a high resolution. Photo © cinema5D 2019. Login Notify of . The Canon EOS C500 Mark II uses the latest technology from the EOS R-series of Canon mirrorless cameras and puts it into a professional cinema camera that has a modular style to suit lots of different uses. I feel we often read the resolution, maximum FPS and the price, and then announce which camera ‘wins’, perhaps even without any experience of actually operating cameras in different environments. The C500 Mark II was the first of the new generation of Canon Cinema EOS cameras to use the modular body which it now shares with the newer EOS C300 Mark III. In XF-AVC it’s up to 120fps but there is a crop. Will definitely go for this over a Red Camera. Photo © cinema5D 2019. That means you can spend time in post processing to finesse the Raw files which makes them ideal for grading, or have an edit-ready C4K codec that’s faster to ingest, process and edit. 5.9K Over Sampling Processing for 4K Credit: Canon. Canon MPEG-2 4:2:2 50 Mbps XF Codec For trouble-free exchange of video and audio material, the EOS C500 uses the industry-standard Material Exchange Format (MXF) for its internal recording file structure. Of course we haven’t been able to shoot with this camera yet, but from what we see, this is the most flexible and modular Cinema camera that Canon ever produced, and it promises to be very attractive to a wide range of shooting scenarios. If you want to, you can also attach Canon’s $3,999 USD EVF-V70 OLED Viewfinder. The best dash cam in 2020: constant protection for you and your vehicle. Digital Camera World is part of Future plc, an international media group and leading digital publisher. There is also Face Priority AF which works very well. Im sure it’s an unpopular opinion, but I don’t want RAW or H264, I want a codec that can hit the NLE running giving ease of use and dynamic range intact. Straightforward button layout, with the most important features accessible immediately. Receive news and offers from our other brands? The Canon C500 Mark II will cost around €15,000 without the Extension Units and optional PL Mount, but while that might seem a lot, it’s actually the same price the C300 mark II cost when it first came out. C500 body with PL lens mount, 1-32GB CF card (80 min record time for built-in HD recording), USB 3.0 CF card reader, 2-on board batteries, charger, AC power supply, Arri C300 15mm LWS Bridgeplate, XF Utility software, manual & case. You can change settings via a large thumbwheel on the left of the camera body, or the joystick on the monitor. The following optional accessories are compatible with the EOS C500 Mark II. Let us know in the comments below! One handgrips with servo controlled cine zooms would be amazing for run and gun. First of all, most essential connectors are already built in: Monitor out, 12-G-SDI OUT as well as HDMI out, both of which support 4K 50p/60p with just one cable, timecode built in, minijack mic in and of course headphone out, and two XLR-ports built right into the body, with full manual controls and at the bottom a12.6V DC in. Canon has pioneered useable video Raw files and the C500 Mark II makes it easy to get incredibly detailed and sharp footage. It turns the camera into a broadcast and streaming-ready production unit. Who makes the Arri Log C lut for c200 raw?, is that 3rd party, sounds interesting, I would love to get this, or hopefully they develop the same for the c500 mkii as well. It’s great to have Timecode built right into this tiny body without having to use an extension box like for example with the Sony FS7. The long connector at the back is to be used by the EVF, or alternatively, Extension Unit 1 or 2. Photo © cinema5D 2019. Hi Ken. For details on using the optional accessories and on their specifications, refer to the Cinema EOS System Expansion User Guide (PDF file), available from your local Canon website. There is 50/60p in 5.9K resolution with the Cinema RAW Light codec, but if you drop down to 2K or HD and that goes up to 120fps. Let’s take a look! Cinema RAW Light can be shot at 5.9K and 4K at up to 60 frames per second, and at 2K in up to 120 fps in a cropped mode, unfortunately. The menus can be accessed via a new on-screen display that is relatively easy to navigate. Sign up today to stay up-to-date on the new Cinema EOS C500 Mark II I’d love to see this camera with a rocker to control their cine zooms. This enables 4K 50/60p output with a single SDI cable, ideal for broadcast use or external recorders. BMD are doing great stuff, but it’s odd to read comments comparing this to the Pocket range or even the G2. NSW 2059. To switch to slow motion, there’s now a dedicated S&F button for “Slow and Fast” (just like the “S&Q” button on Sony cameras). The IBIS works very well, especially with an image-stabilized EF lens. EOS C500 Mark II The new Cinema EOS C500 Mark II will lead the next-generation of Cinema EOS Systems. For a camera that comes with a 5.9K sensor, the EOS C500 Mark III is actually one of the best 4K cameras you can buy! In terms of speed, the EOS C500 Mark II has a 12G-SDI interface which has four times higher transmission speeds of 3G-SDI. I doubt you can do with equal effectiveness with BMD’s offerings. The camera uses the same batteries as the C200 and C300 Mark II. It has the impressive Dual Pixel CMOS autofocus and in-body image stabilization. The best cameras to buy in 2020: cameras for every user level and every lifestyle! All in a camera that has advanced phase-detection autofocus using lots of focus points, a bright touchscreen and 120fps recording for super slow-motion. Its modular design allows users to freely and easily customise the camera to meet their shooting needs. Name* Email* Website. Photo © 2019 cinema5D. Video formats: Cinema Raw Light 4:2:2 12-bit 2.1Gbps, MP4 XF-AVC 4:2:2 10-bit 810Mbps; 5952x3149 6K 4096x2160 C4K, 3840x2160 4K, 2048x1080 2K, 1920x1080 FHD, Frame Rates: 59.94/50/ 29.97/ 25/24/23.98p, Fast frame rates: 60fps Cine Raw Light and XF-AVC full frame, 120fps in 2K, ISO range: 160-25,600, expandable 100-102,400, Autofocus: Dual Pixel CMOS AF; one shot, continuous, face priority, Lens Mount: Canon EF (User changeable to PL), Screen: 109mm/4.3in LCD touchscreen, 2.76 million dots, Controls: Peaking, color bars, waveform, zebras, focus assist, Memory card: 2x CFExpress Type B, SD/ SDHC slot, LCD: Fully articulating 3-inch touchscreen LED, 1440K dots Canon sells the following two adapters, both with shim kits: 1. But the IBIS only works on XF-AVC and not when shooting Raw. And if you don't like our newsletter, you can unsubscribe with a single click, the link is at the bottom of every newsletter. Such as having no overheating problems. Dual CF Express and an SD card slot under the hood on the Canon C500 Mark II. This is a great price for a great camera IMO. Get the best camera deals, reviews, product advice, competitions, unmissable photography news and more! Electronics Gift Guide. EF to PL mount (PM-V1) 3. The outstanding expandability and mobility permits video content production of various range. Great video… The C500 Mark II is definitely a cinema camera. At full frame 17:9 the VENICE has a resolution of 6054×3192 vs 5952×3140 for the C500 mkII. It is clear, Concise with a splash of your point of view on the features and design of the camera. Canon C500 Mark II. The continuous AF tracks moving objects well, and you can alter AF tracking speed and response to suit individual subjects. This 8.85 MP NTSC high-tech device records and plays 2160p video formats. 8.85megapixel Super 35mm CMOS sensor; 4K / UHD 2K / FHD Interchangeable lens (EF mount) (Service parts setting for PL / EF mount with lock) Low and high ISO … With XF-AVC you can also shoot up to 60 frames in 4K, and 120 frames in 2K and HD – but only cropped. No other manufacturer includes all that in base price! yes, but with this camera, u get canon 12 bit raw… with the blackmagic, u get braw… and sci fi colors… The canon color science is far superior and much closer to Arri’s color science than even the red camera. There is also an optional removable rear camcorder style viewfinder that costs $699 USD. The C500 Mark II features a newly developed DIGIC DV 7 image processor which enables Cinema RAW Light recording internally at 5.9K, as well as supporting recording of Canon’s XF-AVC format in 4K 4:2:2 … Please deactivate your ad blocker in order to see our subscription offer, We check over 130 million products every day for the best prices, Cyber Monday sales: our fave Aussie deals on tech & more, (Image credit: Adam Duckworth/Digital Camera World). I can’t wait to shoot with it and try it out myself. We only send updates about our most relevant articles. The camera has 2 CF Express Card slots, that’s the successor of CFast, and an SD card slot for simultaneous proxy file recording. The Canon EOS C500 Mark II mixes the best of high-end cinema cameras and mirrorless tech, in a modular body that can be stripped down for drones or gimbals or dressed up for movies with external monitors and the like, or fitted with accessory backs to allow full TV broadcast. Now, the competition with 6K resolution in Full Frame is Sony with their Venice, and most recently also Panasonic with their S1H – but with both you get the full resolution only when shooting anamorphic with the 4:3 sensor (Venice) and 3:2 sensor (Panasonic) . This is exactly the price range serious shooters want for a camera when they can’t rent an Alexa / Venice but want something better/more well-rounded than a mirrorless. The availability differs from area to area. Future Publishing Australia ABN: 96 734 906 323 | PO Box 1077, Mount St, Visit our corporate site. The EOS C500 Mark II supports Canon Log 2 and Canon Log 3 Gamma. Weight: 1.7kg (body only). Log workflows provide the user with higher dynamic range, more highlight and shadow retention, and more flexibility in grading. The EU-V1 Extension Unit 1 offers ethernet for easy live streaming, a remote control socket and Genlock/ Sync out options ideal for multi-camera shoots. Photo © 2019 cinema5D, All the included and optional components of the Canon C500 Mark II – Photo © 2019 cinema5D, C500 Mark II with the removable EVF attached. You can shoot with anamorphic lenses using a 4:3 image area too, though, just in this case you will lose image resolution on the side with the Canon sensor. Slight correction, CFExpress is the successor to XQD, not CFast. Once you switch to the XF-AVC codec in 10-bit 4:2:2, you can shoot 4K DCI, UHD, 2K and HD only, there’s no 5.9K option in this codec. As someone who owned (and still owns) the original Canon C300 and shot a lot with it over many years, the C500 Mark II feels like a gust of fresh air from Canon in their ability to create really user-friendly and versatile cameras. Size: 167.6x152.4x147.3mm There’s also a B4 mount adapter for TV-style lenses. The sensor is claimed to have more than 15 stops of dynamic range and is ideal for High Dynamic Range shooting, recording in PQ/HLG for HDR work and Canon Log 2 and 3. It comes with a 5.9K Full Frame 17:9 Sensor which Canon claims offer more than 15 stops of dynamic range. Canon Log 2 and 3 Support . Why not just leave it at S35 with 4K resolution & 12 bit color & finally give us the high frame rates Sony seems to be able to put in the FS7 for half the cost??? In combination with focus peaking, it’s a great tool. Just curious as to why they don’t put a rocker on the handgrip like Sony does. more than twice the price of the new G2 and limited to suuper expensive CFast cards hmm.. Canon moving in the right direction, but brand names aside I can’t see it beating out the new BM .. CF Express Cards are coming down in price fast and they’ll be needed to record in the high Cinema RAW Lite bitrates … I don’t see an issue with the new standard, quite on the contrary, it’s more future-proof. As well as AF, the EOS C500 Mark II supports 5-axis electronic In-Body Image Stabilization but it’s not using a sensor in a suspended mount as when the camera is mounted into something like a gimbal or jib, the flexibly-mounted sensor can introduce some movement. It’s all built in. I don’t know. Canon has also added an image stabilizer for the first time in a cinema camera. There’s the small Extension Unit 1 which adds Genlock, Remote Connection and Ethernet to the camera. EOS C500 Mark II - Includes FREE CFexpress Impressive usability and imaging power combine in the EOS C500 Mark II, the customizable full frame cinema camera that’s built for creative freedom. About the Canon EOS C500 Mark II View the manual for the Canon EOS C500 Mark II here, for free. Of course it’s a shame that you can’t use the standard EVF anymore once you connect one of the Extension Units, but in general it’s great that Canon made the most modular camera we have yet seen from them (or many others, for that matter). It shoots Raw on a 15 stops of dynamic range sensor? Canon C500 Mark II fully rigged up with the Extension Unit 2 and a Canon Sumire Prime in my hands. Nino Leitner, AAC is a DOP and filmmaker based in Austria, but travels extensively for his work. Read our full Privacy Policy here. Canon EOS C500 Mark II 5.9K Full Frame sensor in a compact body. The Cinema EOS C500 Mark II features Canon’s high-resolution 5.9K (38.1 x 20.1mm) Full Frame CMOS sensor, which offers exceptional low noise and a broad range of tonality with over 15 stops of dynamic range. We are currently in a period of amazing tech and these videos are a godsend when trying to decide which camera to use on individual projects. better than Arri?, no… I own Arri amira and BMPCC 4k… no.. not even close, not even the same country close. There are pro audio controls and a battery that lasts. Confusing names for sure. Canon has never been the manufacturer to go wild for high frame rates, and the maximum 120fps is the only slightly disappointing feature of the camera as rivals offer up to 120fps in 10-bit 4:2:2 4K or 240fps in FHD. If anything is iPhone like, it would be the Canon C500. It also has three fixed NDs at 2, 4 and 6 stops and can be combined to achieve 8 and 10 stops, but there’s no variable ND filter unfortunately. You can even use the C700’s shoulder pad and rails with this camera, and the overall optical axis is lower than it was on the C300 series of cameras, which should make rigging accessories easier. In fact what you say about the C500 mkII having higher resolution than VENICE at 17:9 is patently false. Sharing a sensor with the earlier EOS C300 camera, the EOS C500 fulfills the potential of the large (Super 35mm-size), high-resolution (8.8 Mp effective) CMOS imager by offering full 4K RAW output via 3G-SDI. Luckily, as well as recording Cinema Raw Light or XF-AVC internally onto CFexpress cards, simultaneous proxy recording is also possible. Let Us Know. Canon’s undeniably great Dual Pixel autofocus is also included and covers around 80% of the overall image area. can see the pink line going from one side to the other side. The camera can shoot up to 60p, 5.9K, and 4K (2K recording at … Or by touching a different point on the screen, the camera will rack focus. EF locking (CM-V1) 2. The ergonomic grip can be adjusted, and there are lots of assignable custom buttons all over the camera. It depends on the lenses you are going to use it with. It’s been over 7 years since the introduction of the original Canon C500, which used to be Canon’s flagship cinema camera before the C700 was introduced in 2016. I've spent $3,900 on Black Friday / Cyber Monday (so far), GuruShots: winning photographs from the Artistic Still Life contest, Take your photos to the next level with Luminar AI’s Templates, MPB used kit challenge: get a marvelous macro photography setup on the cheap, Benro Rhino tripod kits offer the ultimate performance for an affordable price, The best cheap cameras in 2020: we pick the best discounted camera bargains. “eos c500/eos c500 pl”は、高品位な4k(4,096×2,160画素)映像のrawデータ出力など、最先端の映像制作市場における高度な要求を満たす、キヤノンのデジタルシネマカメラにおける最上位モデルである。 The C500 Mark II also offers anamorphic desqueeze options for correct preview of the footage. V-Lock battery. Is this an error in the graph? As well as the additional connection of the EU-V1, it also adds on two XLR terminals, a 12-pin lens terminal and a 24V DC output socket. The Canon C500 Mark II 5.9K Cinema Camera is the long-awaited sequel to Canon's onetime flagship, the C500, marking the next generation of Cinema EOS cameras. But if you’re a generalist professional filmmaker, or want to be one, the Canon Cinema EOS C500 Mark II delivers everything you could need from a modern cinema camera. The expansion unit adds five ports: Genlock/Sync Out, Remote B (RS-422), Ethernet, DC Out (24V, 2A), and a lens control port. Credit: Canon C500 Mark II picture quality and color science. The C500 Mark II uses the 12-bit Canon Raw Light recording format to a pair of CFExpress cards, but if you want full-blown 16-bit Raw you can add on a digital recorder. On the other hand you could perceive it as an incredibly expensive camera that doesn’t even offer the 8K recording of Canon’s flagship EOS R5 mirrorless camera that costs roughly a quarter the price. Canon Cinema EOS C500 Professional camcorder gives its users the opportunity to create productions with professional-grade video and audio quality. 2 x 3G-SDI Output, 2x XLR Inputs 2 x CFast Card Slots Timecode I/O, Genlock In & Sync Out Canon Log 3 Gamma Used (2) from $7,354.95 + FREE Shipping. The Canon EOS C500 Mark II delivers all those things in one package. Receive mail from us on behalf of our trusted partners or sponsors? And today is the day this is happening. Where Canon does lead is in effective autofocus which works incredibly well and is easily customizable to suit all uses. EOS C500 Mark II Impressive usability and imaging power combine in the EOS C500 Mark II, the customizable full frame cinema camera that’s built for creative freedom. That is untrue. At the time of its release, the C500 was Canon’s flagship cinema camera, and lots of third-party companies offered external support for both high resolution and frame rate recordings. It mentions C-Log 2 and 3 but nothing about the original C-Log..any idea if it will have it? Canon EOS C500 (Body Only) overview and full product specs on CNET. It’s remarkable that we have a full-frame sensor here, and it’s the same sensor as in the high-end Canon C700 Full Frame which was only introduced one and a half years ago. All in the body of a professional cinema camera. The standard EF lens mount can be unbolted in seconds with just four bolts. Full camera specifications can be found here. No spam, guaranteed! You need to pay $2,199 extra for a locking EF mount (called EF-C) from Canon. It’s no replacement for a gimbal but is certainly very useful for handheld work. Backside of the Canon C500 Mark II, with all the built-in ports on the right-hand side. Canon just introduced the Canon C500 Mark II, the long-awaited successor to the C500, which takes a much more modular approach than previous cameras in Canon’s Cinema line-up. Of course, the heart of the camera is that full-frame sensor and new Digic DV7 processor to support 5.9K internal Cinema RAW Light in 12-bit from the full width of the sensor, and DCI 4K XF-AVC 10-bit 4:2:2. In its place you can mount two different units. But a small mirrorless camera will never be able to match up to the Canon Cinema EOS C500 Mark II in terms of all-round usability in the real world of video shooting. Canon just introduced the Canon C500 Mark II, the long-awaited successor to the C500, which takes a much more modular approach than previous cameras in Canon’s Cinema line-up.

canon c500 2

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